Since 1990s, some poets have abandoned the collective or individual Utopia “rites” to be involved in the vortex of daily experience and trivial things. When we all notice the poetry narration and the exhibition of daily experience in the 90s, the “individualization” (privatization) poetry style, which is relished by poets and poetry researchers, obtains symbiosis and collectivism in this regard. With the great changes of social context and corresponding poetry writing context at the end of the 80s and the beginning of the 90s, poetry writing, in some degree, is significant in repelling time & myth, Utopia & fantasy, “pseudo lyricism”, and “pseudo local-color literature”. But the repelling results in a new round of discourse power, namely, worship for “daily experience”. Really, while endowing poetry writing with a powerful “stomach” to contain poetry, “daily experience” also becomes a huge vortex, and an overflowing depth-lacking image parody begins to suffuse. On this basis, Aerdingfu Yiren has to, in his poems writing, form such a realization: most poets should force themselves to slow down their speed of poems writing, while developing an open vision, a strong force of penetration and review ability about reality and history, so as to finally reach the exact and real connection and witness significance which correspond to existence and epoch. “Perhaps we should not have stayed for long / should not have supported you up to the altar / everything here is in the obscured garden / throwing despising eyes to kill or obstruct / the unparalleled dream is turning in the center of the world” (The Mysterious Halo). For Yiren, who is trudging, exploring, and digging on the road of poetry, it is a duty which can not be shirked to open the drift bottle of poetry in the glittering light of night, to dive down in darkness enveloped and squeezed with material desire, money, power, and crazy illusions, to listen to the remote and genuine soul soliloquy from language, nationality, and religion, or to the mysterious calling for a dialogue. All this, no doubt, is the embodiment of conscience, as Brodsky says: “poetry is the expression of human memory.” And from the word formation of “poetry”, it contains memory and “bosom”, as well as the spiritual dimension of religion. It is just in this sense that Yiren really returns to the source of poetry concerning his long poems writing. The drift bottle of poetry made by him is filled with sediment of collective memory, and in the twinkling light the real quietude and self-contentment flash is a must — it is the noble posture of questioning and digging with life-long efforts. Bachelard says, “where there are fireflies, there is memory.” Yes, where there is listening, there is memory. Hence, in the pleading for genuine knowledge of gnawing themes “insight into the present age” and “insight into the soul”, Aerdingfu Yiren exhibits his persevering poetry character and individual stance which is full of conscience, and he bears the memory of history and humanity with poetic language, power of imagination, and unique handicraft.
同类推荐
热门推荐
明治天皇:孝明帝驾崩卷(下册)
《明治天皇》再现了日本从幕末走向明治维新的历史变革,以优美的文笔,宏大的场景,详细描绘了日本近代决定国运的倒幕运动的整个过程。本书塑造了一个个鲜活的日本近代史人物形象,以及他们的坚定信念,对“安政大狱”、“樱田门之变”等重大历史事件的描述详实生动,是一部了解近代日本不可多得的佳作。明治天皇:孝明帝驾崩卷(下册)
《明治天皇》再现了日本从幕末走向明治维新的历史变革,以优美的文笔,宏大的场景,详细描绘了日本近代决定国运的倒幕运动的整个过程。本书塑造了一个个鲜活的日本近代史人物形象,以及他们的坚定信念,对“安政大狱”、“樱田门之变”等重大历史事件的描述详实生动,是一部了解近代日本不可多得的佳作。我们三个都是穿越来的
我是因为看了很多的穿越小说,也很想穿越。谁想我想想就能穿越,穿越就穿越吧,居然穿成怀孕九月的待产产妇,开玩笑嘛!人家在二十一世纪还是黄花一枚呢。这也可以接受,可是明明是丞相之女,堂堂四皇子的正牌王妃怎么会居住在这么一个几十平米得破落小院子里,她怎么混的,亏她还一身绝世武功,再是医毒双绝。哎。没关系,既然让我继承了这么多优越条件,一个王爷算得了什么?生下一对龙凤胎,居然都是穿过来的,神啊,你对我太好了吧?且看我们母子三人在古代风生水起笑料百出的古代生活吧。片段一在我走出大门时,突然转身对着轩辕心安说道:“王爷,若是哪天不幸你爱上了我,我定会让你生不如死的。”然后魅惑地一笑,潇洒地走了出去。片段二当我对着铜镜里的美人自恋地哼出不着调地歌时。“别哼了,难听死了。”一个清脆的声音响起。~~~接着一声尖叫紧跟着另一声尖叫。我用上轻功躲进了被子里.~~~"我和你一样是二十一世纪来的。”“你好,娘亲,哥哥,以后要多多指教。”来自两个婴儿的嘴里,我摸摸额头,没高烧啊。片段三“小鱼儿,我可是你孩子的爹,况且我没有写休书,你还是我的王妃。我会对你好的。”安王爷霸道地说道。“你们认识他吗?他说是你们的爹?”我问着脚边的两个孩子。“不认识,”女孩说道。“我们的爹不是埋在土里了吗?怎么他一点也不脏?”男孩问道。那个男人满头黑线。“对不起,我们不认识你。”说完拉着孩子转身就走。片段四“爹爹,这是我娘,你看漂亮吧?”南宫心乐拉着一个白衣帅哥进来问道。我无语中。“爹爹,你看我娘亲厉害吧?“南宫心馨拉着另外一个妖精似地男人走了进来。我想晕。“这才是我们的爹。”“才不是呢,这个才是”两人开始吵起来了。“我才是你们的爹。”安王爷气急地吼道。“滚一边去。”两个小孩同时说道。屋里顿时混乱之中。转头,回屋睡觉去了。推荐完结文《别哭黛玉》完结文《穿越之无泪潇湘》新文,《极品花痴》重生之再做我老婆
她本是善良天真的富家千金,有幸福的家庭,却所嫁非人。在丈夫串通同父异母的妹妹夺取家产、逼迫她签下离婚协议时她的心就死心了,本以为这样他们就会放过她没有想到丈夫和妹妹不放心居然逼迫她喝下毒药,使她魂归天际。魂魄飘荡竟附身在一名绝色女人身上,还是一名独身闯荡创出商业王国的传奇女子,本对商场一无所知的她也汲取了女人全部的记忆,成为商场上的女强人,冷艳美丽的外表却震慑商场。这一刻她不再是那个软弱天真的女生,她是重生后的女强人,她要复仇,让伤害她的人复仇代价。在商场上她是冷艳残忍的总裁,为了报仇她卸下这重身份变身前夫最爱的女明星,混迹商场与娱乐圈。她发誓要让丈夫爱上重生后的她然后狠狠的报复他,可是。。。。为什么总是有个男人阻止她,他说让她爱他。。。。